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・ Center for Computational Chemistry
・ Center for Computational Innovations
・ Center for Computational Mass Spectrometry
・ Center for Computational Relativity and Gravitation
・ Center for Computer Games Research
・ Center for Computer-Assisted Legal Instruction
・ Center for Congressional and Presidential Studies
・ Center for Consciousness Operations
・ Center for Constitutional Rights
・ Center for Consumer Freedom
・ Center for Contemporary Arab Studies
・ Center for Contemporary Opera
・ Center for Contemporary Printmaking
・ Center for Copyright Information
・ Center for Court Innovation
Center for Creative Imaging
・ Center for Creative Photography
・ Center for Critical Thinking
・ Center for Culinary Arts, Manila
・ Center for Cultural Judaism
・ Center for Cultural Studies
・ Center for Cultural Studies at UC Santa Cruz
・ Center for Curatorial Studies and Art in Contemporary Culture
・ Center for Data-Driven Discovery
・ Center for Decision Research
・ Center for Defense Information
・ Center for Democracy and Technology
・ Center for Deployment Psychology
・ Center for Detectors
・ Center for Development of Human Services


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Center for Creative Imaging : ウィキペディア英語版
Center for Creative Imaging

The Center for Creative Imaging (CCI) was a short-lived Camelot located in the renovated Knox Mill complex in Camden, Maine from about 1991 to 1994. The Center was an Eastman Kodak Company facility designed to teach digital imaging and related subject matter to artists, design professionals, photographers, and production staff.
The 27,000 square foot (2,500 m²) facility sat on the Megunticook River, and contained what was then state-of-the-art equipment, including over 100 Macintosh IIfx computers, hard drives of up to 500 Mb of storage per machine, and an array of scanners, digital cameras, and output devices.
Classes ran from one to five days in length, generally three, and covered digital imaging areas like publishing, photography, and illustration. Several invitational and special events brought artists and experts like Paul Davis, Milton Glaser, Gary Panter, Graham Nash, Edward Tufte, and dozens of others to lecture and teach. Many of the leading photographers of the day using cutting-edge digital techniques taught there; other well-known artists came to take classes.
The Time Man of the Year cover for 1991 of Ted Turner was assembled by photographer Greg Heisler at the Center with the assistance of staff. The creation of the cover took long enough to nearly delay the printing of the issue.
Kodak chose to sell the Center in 1993 to a local businessman who, without the vast resources of a multinational company behind him, was unable to transform it into a profitable teaching facility, despite expanding its focus to include conventional photography in competition with the long-running Maine Photographic Workshops down the road in Rockport, Maine.
The Center's building was purchased by MBNA, the credit card company, and all of the fixtures, including polished granite and hard woods, were removed, and the brickwork and exterior of the building painted the drab gray and green corporate colors. MBNA left Camden before its merger with Bank of America in 2005.
The Center is still remembered around Camden quite well, as many people from the area had jobs there as teaching assistants and other staff, and many locals took classes and changed their careers. The many dozens of expensive Steelcase chairs, even after more than a decade, can still be found throughout local businesses who bought them at the closing sale.


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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